Musicconnect2/20/2023 ![]() ![]() This time in Migas three DJs will share their music in a never ending back to back special! Our relationships get stronger when we share the same music. Music connects all kinds of people- friends, lovers, dancers. ![]() In 2014 Shaoxian ( designer ) and Airy (marketing) join Peng team. (2.13m) cable, award-winning Stubby connector fits easily into tight spaces. Since then PENG has been constantly developing together with time, fashion and trends, and bringing new ideas,improvements and all kind of extravagances to Beijing scene although always maintaining its singularity,its particular style and spirit. Monster MusicConnect, Portable Player to Stereo Cable features extra-long 7ft. In 2013 Santi Musmeci (designer) joined Peng as partner and creative director and together with dj Pancake Lee reinvent PENG from a Music Label to a Lifestyle Brand. As video game music has really refined the art of storytelling through score, now, with the possibilities brought about by the new consoles, it's up to developers to rise to the challenge of how to tell stories through gameplay.Electronic Music Label PENG was founded in 2006 by Dj Pancake Lee together with a group of friends driven by their passion for Electronic Music in all his forms and expressions. He believes that storytelling in games is a paramount concern, with games currently at risk of parodying films and not finding their own narrative device. However, the challenges that O'Donnell sees is less about music, and more about how developers approach games and story. They all seemed to hint that with the challenges that the last ten years of innovations has posed for them, the upcoming new generation of consoles will make the next ten years just as challenging. Perfect Cadence?Īs the panel drew to a close, the panelists were asked where they think video game music will go next. Pete Boyle of Dork Tunes (right), with Halo composer, Martin O'Donnell (left). Furthermore, it could be that digital/"chip" music is more abstract that a classical score, and hence why this genre is preferable. Reasons discussed were ones such as: with advancement of technology and games comes with a higher quality and expectation of music therefore an orchestral and filmic score is the epitome due to its high production values. However, not all that glitters is gold, and Hannigan wonders why music in video games has to be like a Hollywood orchestral score, especially as he ponders whether the only reason video game music is getting recognised is because it sounds like this. As video games are a medium that people end up spending a lot of time in, its music therefore becomes not just a bit part of the game but a big part of that individual's life. Kyd mentions that the fandom behind video game scores isn't particularly surprising. He uses this example to illustrate that their music is not mere novelty, and is having a real impact on culture as a whole. Following on from my previous comments about video game music being in a great place with concerts being performed regularly around the world, the chair of the panel, John Broomhall, asked what it actually feels like to suddenly have adoring fans spanning the globe?Īll seem to think that this was pretty great: who wouldn't!? In addition, O'Donnell, offers a charming anecdote about a fan of his who, after hearing his score for Myth: The Fallen Lords, took up learning the cello and is now majoring in the instrument at university. ![]()
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |